chamber
Haze (2020)—flute, piano, cello. c.2’
Intimate Distance (2019)—bass clarinet, marimba, piano, tape. c.11’
The Transitory Instant (2018)—flute, bass clarinet, vibraphone, piano. c.10’
The Shape of Breath (2018)—flute/bass fl., tenor saxophone, cello, piano, electronics. c.12’
Crystalline (2017)—string orchestra. Commissioned by the Hush Foundation, premiered by the ACO Collective. 5’
Iteration Nine (2017)—two bass clarinets, double bass. Presented at TURA"‘s Totally Huge New Music Festival. 10’
White Walls (2017)—chamber orchestra. c. 8’
I Dream in Black & White (2016)—string quartet and harmonica. c. 7’
Coalescence (2015)—chamber orchestra
Derelict (2015)—two classical guitars
Observed (2015)—wind quartet
vocal
Murmuration (2023)—WASO Chorus. c.6’
Lux Aeterna (2018)—specialist choir & large chorus. c.8’
Quiet Thoughts (2016)—three voices
orchestral
Oscillations for Orchestra (2023)—2.2.2(II=bcl).2(II=cbsn).4.3.3.1.perc(2).Timp.Strings. c.14’
In Waves (2022)—orchestra. 2(II=Alto).2.2(II=bcl).2(II=cbsn).4.3.3.1.perc(3): I=vibes. II=vibes. III=Tam-t/BD/SD. Str (14.12.10.6). c.11’
Stratus (2020)—orchestra. 2.2.2(II=bcl).2(II=cbsn).4.3.3.1.perc(2): I=sus.cym/vibr/Tam-t. II= glspl/BD. Str (14.12.10.8.6). c.11’.
Flux & Faux (2016)—orchestra
solo
Enfold (2023)—Harmonuim & tape. c.11’
In Flow (2020)—Guitar. c. 6’
Caged Silence (2016)—two snare drums. c.7’
Imaginings (2015)—guitar. 5’
Breathless (2015)—bass clarinet. 5’
A Strange Beauty (2013)—piano. c.5’
Sommerregen (2013)—piano. c.5’
electronic/electoacoustic
in Delta (2017/18). 10’
Corners of Nowhere (2017)—bass guitar, sine waves, fixed electronics. c.20’
Iteration Seven (2017). 10’
installation
Gradient (2023)—double-bell trumpet, live video projections and surround sound.
Femme (2018)
site specific
Notes on Sand (2019)—oboe, melodica, harmonium, vibraphone.
Tunnel Music (2018). bass clarinet, double bass. Performed at Winthrop Avenue pedestrian underpass, Perth WA.